Man with a Movie Camera
“The Greatest Documentary Ever Made”
Dziga VertovCast
Mikhail Kaufman
Elizaveta Svilova
Credits
Written by:
Dziga Vertov
Cinematography:
Mikhail Kaufman
Music: Pierre Henry Nigel Humberstone Konstantin Listov
Editing:
Dziga Vertov
Produced by: Star Mishkel-Eneva
Plot
With no actors, plot or intertitles, Dziga Vertov's 1929 film follows a cameraman and his editor as they record a day in the life of several Soviet cities, from waking to sleeping. Workers, trams, machines, beaches and weddings are cut into a rhythm, and the film keeps showing its own making, with the camera, the editing room and the audience in view. Using double exposure, split screens, slow motion and freeze frames, it became a landmark of the documentary and of the idea that cinema can have its own visual language.
Sinekatalog’s take
Dziga Vertov's silent documentary of a Soviet day is a catalogue of what cinema can do: split screens, freeze frames, fast cuts. Experimental and exhilarating, nearly a century later.Sinekatalog’s own editorial review – not a user or critic quote.
Ratings
IMDb: 8.3 / 10 (30,825 votes)
Rotten Tomatoes: 98% (43 critic reviews)
IMDb rating and vote count from the IMDb ratings dataset; Rotten Tomatoes snapshot from October 2026. Scores change over time.
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Picked by director, genre, era and shared cast. Titles only, no spoilers.
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