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Japanese Golden Age in 10 films

In the 1950s Japanese cinema won the West's attention with three very different masters: Kurosawa's energy, Ozu's stillness and Mizoguchi's long, flowing takes.

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  1. 1
    Late Spring 1949Yasujiro Ozu · IMDb 8.2Ozu's story of a daughter who does not want to leave her father to marry. His quiet style in its clearest form.
    Next: Rashomon From Ozu's hushed family room to Kurosawa's restless energy, the film that first made the West look at Japan.
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    Rashomon 1950Akira Kurosawa · IMDb 8.1One crime told four times by four people who disagree. It introduced Japanese cinema to the West and made "Rashomon effect" a phrase.
    Next: The Life of Oharu Now the third master: Mizoguchi answers Kurosawa's sharpness with patient, flowing takes and one woman's long story.
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    The Life of Oharu 1952Kenji Mizoguchi · IMDb 8.0Mizoguchi follows a woman's long decline in feudal Japan, with some of the most beautiful long takes of the era.
    Next: Ikiru Back to Kurosawa, who leaves feudal times for modern Tokyo and turns his energy toward one ordinary man's question.
  4. 4
    Ikiru 1952Akira Kurosawa · IMDb 8.3A dying civil servant looks for a purpose for his last months. Kurosawa's most humane film.
    Next: Ugetsu Mizoguchi returns, trading the office for a world of war and ghosts where ambition comes at a price.
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    Ugetsu 1953Kenji Mizoguchi · IMDb 8.1Ghost story and war story together, as two men chase ambition and lose what matters. A masterpiece of Mizoguchi's later years.
    Next: Tokyo Story Ozu answers with stillness: no ghosts, no battles, only a family and the small distances between its members.
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    Tokyo Story 1953Yasujiro Ozu · IMDb 8.1An old couple visits their grown children in Tokyo and finds little time for them. Often placed near the top of lists of the greatest films.
    Next: Sansho the Bailiff After an intimate family drama, Mizoguchi widens the frame to the Middle Ages and a household pulled apart.
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    Sansho the Bailiff 1954Kenji Mizoguchi · IMDb 8.3A family torn apart in the Middle Ages, and a brother and sister who endure slavery. Mizoguchi at his most moving.
    Next: Seven Samurai Kurosawa responds with action on a grand scale, as a village decides it must be defended.
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    Seven Samurai 1954Akira Kurosawa · IMDb 8.6Villagers hire seven masterless samurai to defend them against bandits. The model for countless action films since.
    Next: Throne of Blood Still with Kurosawa and feudal Japan, but the village gives way to Shakespeare and the stylised stage.
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    Throne of Blood 1957Akira Kurosawa · IMDb 8.0Kurosawa moves Macbeth to feudal Japan, with the style of Noh theatre and a famous final scene.
    Next: Floating Weeds To close, Ozu in colour: after the swords and castles, a gentle ending in a small seaside town.
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    Floating Weeds 1959Yasujiro Ozu · IMDb 7.9Ozu in colour: a travelling theatre troupe comes to a small seaside town. A remake of his own silent film.

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